When people get an interest in Salsa dancing and take their first dance classes they start by learning the basic steps. Soon enough learning and mastering Turn Patterns becomes the main goal of most of the students. After a while, they discover that most advanced and master-level Salsa and Mambo dancers never use standard dance sequences when dancing together.
It is time for an in depth analysis.
Turn Patterns, also called Dance Combinations/Dance Combo’s/Dance Figures, are pre-set sequences of Salsa Dance Techniques (also called Dance Moves). Most Salsa Dance Techniques last for no more than one Basic, and a Basic is 8 beats in the music. The Cross Body Lead is an example of a Partnering Dance Technique. This means that a Turn Pattern consists of a minimum of two Dance Techniques which are combined together to form one choreographed dance sequence. There is no maximum to the length of a Turn Pattern. The order of the individual dance techniques, and how long the turn pattern becomes, depends on several factors. The most important one would be the goals the instructors have set for their separate student groups or dance levels. The dance level of the average student is also a decisive reason to make the Turn Patterns longer or shorter. The learning speed of the students, the didactical skills & knowledge of the instructors, and the amount of competition between rivaling dance schools can also be of big influence on these short choreographies.
One of the secrets for dancing Salsa is the leader of a dance couple being able to ‘cut and paste’ separate dance techniques together while adapting to the dance level and the Salsa Dance Style of the follower. He uses the changes in Salsa or Mambo Music as his main guideline, and they express the feelings they get from hearing the music and dancing together by executing their individual Styling Elements and Shines/Footwork . Most Styling Elements last for less than one Basic: for example, a ‘Lady Haircomb’. No Salsa Music and no Salsa Dancer are the same. Salsa Dancing has no fixed international Salsa Dance Standard (yet). That is why Salsa Dancing is (to date) a ‘Freestyle Dance Form’. So why do Salsa Dance Instructors teach (fixed) Turn Patterns?
Teaching Turn Patterns is the only known way to instruct Partnering Dance
Teaching Turn Patterns started with the English and French Court dancing in groups, which were popular in the 17 and 18 century. The Dance Combinations had their own names or designations; they had been (semi) standardized, and these archaic Turn Patterns were executed simultaneously after being called out. Modern Line Dancing and Rueda de Casino are good examples of this ancient way of dancing and instructing. Dancing in groups evolved into individual Partnering Dance, and the manner of teaching Turn Patterns evolved and made its way into the Latin, Ballroom, and Swing Dances where they got longer. The first Salsa and Mambo Dance Instructors just copied this effective way of instructing partnering dance from them.
Turn Patterns are commercially Attractive
Salsa looks more exciting and appealing when the instructors demo turn patterns instead of them showing combinations of two Dance Techniques at a time. Their students get a greater sense of achievement when they are able to perform the same Dance Choreography they have seen at the beginning of the class. Learning Turn Patterns is also less time-consuming, making it easier for teachers to maximize the amount of individual dance techniques they want their students to master at the end of a Workshop, a Class, or a Dance Course.
Instructing and learning Turn Patterns is very Effective
Turn Patterns are excellent for teaching the students to get the ‘Salsa and Mambo Flow’ in a faster pace instead of them only practicing the combination of two Dance Techniques at a time. The ‘Advanced-Dancers-in-the-making’ will also learn to decrease their reaction time: the leaders learn to think faster before indicating dance moves to the followers, and the followers learn to react much faster to what the leaders are indicating.
The Wrong Judgment when Fixating on set Turn Patters
Learning Salsa and Mambo Turn Patterns are means to an end and not the main objective. The fixation on learning Turn Patterns by heart will only make the dancers less flexible. Rule of thumb: the length of a Turn Pattern is disproportionate in relation to the level of flexibility of the dancer learning it. This means: the longer the Turn Pattern gets, the less flexible the dancer learning it becomes. Another: the more intricate the individual components of the Dance Combo’s are, the lesser the chances become of these dance sequences being lead or followed correctly on the social dance floor.
Final Notes
Turn Patterns are excellent didactical and educational means of learning Salsa and Mambo Dance. Instead of learning whole Dance Combinations, it is much rewarding to multiply the possibilities of the individual Dance Techniques and the dozens of ways of combining them together.
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| Tags: Cross Body Lead | Dance Techniques | Freestyle Dance | Salsa | Turn Patterns | ||
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